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Our Premier Album of 2025: The Artist's Lux Claims the Number One Position.

At first glance, this album might appear more like a difficult university quiz rather than a new popular music album from a musician who just had a previous hit was a collaboration with a global pop star. Broken into four distinct parts and performed in 13 tongues, we have a head-spinning symphonic opus that delves into female mystique, religious ascent, and corporal transformation, frequently via the prism of various saintly figures. The dissolution of a relationship—a topic treated with raw honesty on another major 2025 album—soars skyward on this record, carried by the constant presence of a major orchestra and work from a Pulitzer-winning songwriter among a long list of collaborators. The pure audacity alone renders the efforts of other artists look quite laughable.

Transcending Academic Exercise

That this album succeeds in transcend overly academic posturing is almost miraculous, with full credit belonging to Rosalía. While this is not the first time album to fuse historical sounds with modern styles, the scale feel far higher here, with the tightrope walk more dramatic. The element that truly elevates her fourth release, beyond its multilayered melodies, rich compositions, and engrained theatricality, is an essential sense of playfulness. Much like the legendary artist at her peak, there is a captivating quality to Rosalía's voice which sweeps you up in its tornado. When she's tearing hearts apart, the listener nevertheless desire to be right there for the journey.

A Prime Moment of Joy

That exuberant energy comes forth clearly during the stunning piano-led song about a saint. It bathes in a string-drenched whirlpool for several moments. Then, all the music falls silent, to reveal there's a gleeful laugh followed by a comment before a hilariously exaggerated orchestral surge thuds in with cartoonish force. The song then shifts into the frenetic track featuring racing strings, a powerful choir, and a cameo role from the artist Björk.

"The charm with this album is that the listener never quite know—nor wish to predict—what you is going next."

Almost each track finishes in a totally distinct place than where it began. A track examines the transient trappings of celebrity over a delicate orchestration before collapsing into electronic chaos. Another, a song that recalls her previous trap-infused work begins out moody and sinister, featuring menacing beats, before sudden traditional rhythms and an angelic choir arrive to soften its jagged edges.

The Bridge Of Art & Accessibility

Another crucial achievement of the album is straddling the gap of radical experimentation and mainstream appeal. It is no surprise that it has achieved the artist's first release to crack the upper reaches of key markets: at its core a collection of truly undeniable hits. A song performed primarily in the English language swells on a refrain that seems to collect more and more infectious melodies while it spins upward. This trick gets repeated on another powerful track that grows and constricts, intertwining layered melodies as an intricate tapestry.

  • A dance-infused song charms with its jaunty, Disney-adjacent drama and an anthemic hook.
  • Lyrically, it aligns the cultural honesty of other breakup anthems, eviscerating an ex- lover labeled an "emotional terrorist".
  • Throughout these tracks, the singing carry a painted-on edge, like a fairy-tale character hiding a blade: "Gold medal in acting like a motherfucker / You've the podium of disappointment."

An Opulent Feast for the Ears

Lux is popular music on a maximalist scale, a hungry grasp for capital-A Art in an era of impending artificial blankness. It rejects self-absorption in favor of sublime transcendence, creating an over-the-top spectacle that skillfully manages its built-in excess. This is an abundant well of hidden gems that requires time to completely explore but never seem like a chore. While other big pop albums of the year felt like feasting on meal, Lux offers a sumptuous feast where the guests at the table, some intoxicated on holy wine, flit between conversations about ancient figures, the galvanizing feeling of soul-shattering grief, and shared stories about useless men. In essence, it's a modern-day musical from pop's truly endlessly creative practitioner.

Written by

Kayla Mclaughlin

Wildlife biologist specializing in sloth research with over a decade of field experience in Central and South America.

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